We will be exploring a new foreshore site in January with Thames archaeologist, Mike Webber. Please contact us for booking details and directions. Start time 1030.
An exhibition of poems and images commissioned as part of Clay Cargo 2014 can be seen until mid January in Pancras Library, part of the new Camden City Hall, 5 Pancras Square, London N1C 4AG. The library is open 8am-8pm Monday to Saturday and 11-5 on Sundays. The associated publication can be obtained by contacting Clayground.
Our second location was the pit once quarried by ceramic manufacturer, Henry Doulton (1820-1897) at Saltwells, Dudley, near Birmingham. Arriving by canal with Ikon’s youth programme, Black Country Voyages, we walked through the woods to the site now a spectacular nature reserve. We travelled with poet Elisabeth Charis and collected clay and botanical material for artist Rob Kesseler. Rob works with electron microscopy and has revealed the deeper molecular structure of the clay and plant material gathered. Elisabeth has written about the canals, the pit, clay’s ancient origins and qualities. Here are glimpses of their work.
We started the Clay Cargo 2014 journey with a visit to Stoke-on-Trent with poet Rachel Long and artist David Binns. Delving under the surface of the Canal at Middleport, the home of Burleigh pottery, we retrieved ceramic fragments dropped during loading of barges; we visited the pottery itself and another, Steelite International. David has created new material out of the found fragments, embedding history in his architectural ceramics. This piece is called Metamorphosism: the act of altering the appearance and structure of pre-existing minerals through the action of heat.
Javier Cuadros, Clay Mineralogy Researcher, is one of Clayground’s advisers. He sends news of exciting developments in the world of clay. The latest is a piece about the environmentally beneficial interaction of clays and mangroves. Thank you to Javier. Continue reading
Clayground’s current project, Clay Cargo 2014: London to Stoke via Birmingham, renews links between ceramics and the waterways today. Archaeologist, Mike Webber, calls on his encyclopaedic knowledge of London and the river to illuminate the city’s trading history through ceramic fragments turned up by the tide. Amongst the spectacular finds during our walk on September 27th there was a significant piece from the rim of a Roman mortarium and a piece of medieval jug handle. Continue reading
Clay Cargo takes inspiration from Josiah Wedgwood’s pioneering role in establishing the canals. It sets out to renew the historic links between ceramics and the canal system by staging clay workshops on boats and canalside locations in three cities: London, Birmingham and Stoke on Trent. This year we have also commissioned poets and ceramic artists to respond to each site. The results will appear in a publication and exhibition from late November in the new Camden City Hall from late November with images and words from our adventures along the waterways from the Thames to Stoke on Trent. Continue reading
In May 2012, Clayground Collective teamed up with International Youth Performance organisation, Project Phakama, to hold an auction to raise funds for a bursary for a Phakama student to study ceramics. Thank you to all those who contributed items and stories to enable a student to study ceramics who otherwise would not have had the chance to do so.
Terry Noel is Clayground’s champion bearer of clay to London, bringing clay from wherever he and his steel orchestra play around the world including Azerbaijan, Austria, Norway, Trinidad and Turkey. Terry leads the Melodians, a steel orchestra equally dedicated to playing for community groups in Wandsworth as it is for British Consulates from Baku to Vienna. The Melodians’ latest international appearance is part of artist Jeremy Deller’s British Pavilion at the Venice Biennale. The Melodians recorded interpretations of Vaughan Williams’ Symphony in D Minor, UK acid house track ‘Voodoo Ray’ by A Guy Called Gerald and David Bowie’s ‘The Man Who Sold The World’ as soundtrack to Deller’s ‘English Magic’, a fierce critique and celebration of contemporary Britain.